The people whom Arbus photographed were probably separated from their families when they were born. Their mothers and fathers were most likely told that they would be too much of a burden to raise. However, none of this is really what we are supposed to be thinking about when viewing the Untitled series. We are told to think about the compositional choices, the lighting, the true talent of Arbus who discovered these subjects.
Dragonflies are like Waze. They predict. They don’t chase after mosquitoes, they intercept them, which means they have to calculate the mosquito’s distance, speed, and trajectory. Dragonflies perform these calculations in milliseconds, far faster than Waze, which always takes agonizing seconds to load as it computes the route, average speed of drivers, and quagmires that might await.
Here it was laid out: we’d tricked with Clint a few times over the years. Sure, he was a geek, but he possessed this obscure magnetism. He was so indelibly himself, we allowed ourselves, when with him, to believe that the established rules of conduct, constraining all men of our tribe, could be ignored.
In silence, the women gather. Girls draw together, jostling to get in front of the camera, but once they are there they don’t know how to behave. One chews her hair, the other gesticulates, losing her cool out the ends of her fingers, she fans them like a child searching blind-mole for a lost toy. A woman’s face has collapsed. A mother searching for a lost child. As she speaks of him she strokes her hand against her own cheek.